?_JÿÿÿÿÉï:1lpÀÀ`H š\€€€€€€€€€€€€ÀÀÀÿÿÿÿÿÿÿÿÿÿÿÿ�ð‚w‚pwƒpøˆ„‡pøˆ„‡pøˆ„‡pø ˆ� ˆ„‡pø ˆƒ€ÿˆ„‡pø ˆƒÿðˆ„‡pøˆ�€ÿ�ˆ„‡pøˆ�ÿ�ðˆ„‡pøˆ�€ÿ�ˆ„‡pøˆ�€�ˆ„‡pøˆ„‡pø ˆˆ„‡pøˆ…̈„‡pøˆ‚Ì‚ˆ„‡pøˆ‚Ì„xˆ„‡pøˆ‚̆wxwˆ„‡pøˆ„Ì̆wxwˆ„‡pøˆ†ÌÿÌ’ẍˆ‡pøˆˆ€Ìÿ�Ì�ÌŒˆˆ‡pøˆˆ€Ìÿ�Ì�ˆ„‡pøˆ�ÿ�Ì�ˆ„‡pøˆ�ÿƒÌˆ„‡pøˆ�ÿƒÌˆ„‡pøˆ�ÿƒÌˆ„‡pøˆ…ÿ̈„‡pøˆƒÌ ˆ„‡pø ˆ� ˆ„‡pøˆ„‡pøˆ„‡pøˆƒ‡pÿƒ÷pÿ‚pð�/&;)z4string.InvalÿÿHÿÿÿÿbm0bm1ybm2³bm3ž bm4)bm5¼bm6}|CTXOMAPß|FONTaÞ|KWBTREEkß|KWDATA5ß|KWMAPZß|Phrasesò|SYSTEM2|TOMAPÌÜ|TOPICD2|TTLBTREEšçÿÿÿÿÿÿÿÿ!ÿÿ#ÿÿ%ÿÿ'ÿÿ)ÿÿ+ÿÿ-ÿÿ/ÿÿ1ÿÿ3ÿÿ5ÿÿ7ÿÿ9ÿÿ;ÿÿ=ÿÿ?ÿÿAÿÿ>ÿÿÿÿ ÿÿÿÿÿÿ|TOPIC|TOMAP|FONT|CTXOMAPrr|SYSTEM.ÿÿÿÿ24WBTREEWDATA|KWMAPWBTREEWDATAR:ÿÿXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿ)ÿÿÿÿ OPTIONSBUILDTAGSMAPALIASFILESBITMAPSLANGUAGEFORMATREPORTBUILDROOTINDEXFORCEFONTMAPFONTSIZEWARNINGCOMPRESSTITLEMULTIKEYCASEINSENSITIVECASESENSITIVEDICTIONARYÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿizdÿÿSCANDINAVIANTRUE1F:1lpÀÀ`H š\€€€€€€€€€€€€ÀÀÀÿÿÿÿÿÿÿÿÿÿÿÿ�ð‚w‚pwƒpøˆ„‡pøˆ„‡pøˆ„‡pøˆ�€�ˆ„‡pøˆ�€ÿ�ˆ„‡pøˆ�ÿ�ðˆ„‡pøˆ�€ÿ�ˆ„‡pø ˆƒÿðˆ„‡pø ˆƒ€ÿˆ„‡pø ˆ� ˆ„‡pøˆ„‡pø ˆˆ„‡pøˆ…̈„‡pøˆ‚Ì‚ˆ„‡pøˆ‚Ì„xˆ„‡pøˆ‚̆wxwˆ„‡pøˆ„Ì̆wxwˆ„‡pøˆ†ÌÿÌ’ẍˆ‡pøˆˆ€Ìÿ�Ì�ÌŒˆˆ‡pøˆˆ€Ìÿ�Ì�ˆ„‡pøˆ�ÿ�Ì�ˆ„‡pøˆ�ÿƒÌˆ„‡pøˆ�ÿƒÌˆ„‡pøˆ�ÿƒÌˆ„‡pøˆ…ÿ̈„‡pøˆƒÌ ˆ„‡pø ˆ� ˆ„‡pøˆ„‡pøˆ„‡pøˆƒ‡pÿƒ÷pÿ‚pð�ëâlpÀÀ`H ü\€€€€€€€€€ÀÀÀ€€€ÿÿÿÿÿÿÿÿÿÿÿÿ�ð‚ˆ‚€ˆƒ€÷ wƒw„x€÷w…  wpw„x€÷w�p‘  ª pwwx€÷ww²ª ªw  D@wwx€÷www     �D@wwx€÷ww  wp  ™›@Dwwx€÷ww ªª ™™� @wŒx€÷ww  îp™… wŒx€÷wwàî ™„ w†x€÷wwîƒ ™„™ �wŒx€÷wwîîà ™‚ �wŽx€÷wwàîà ™���w“x€÷wwàîà ™™��wŒx€÷wwàîà™ƒ��w†x€÷wwîƒàw��w‡x€÷wwà�àw‚p�w‡x€÷wwî�w‚p�wˆx€÷wwîîw‚pw‰x€÷ww|wƒ ™w„x€÷w‚Ì|w„p w„x€÷w‚Ç|w‚Ì|w„x€÷wƒ|ÇÌw†ÇwÌÇÇ|w„x€÷wŒÌ|Ç|ÌwÇ|ÇÇÌÇw„x€÷wŠÇÌ|ÌÇ|Ç|wÌw‘x€÷ww|ÇÇÌwÇ|w|w|w‘x€÷ww||ÌÇ|wÌw|w|w„x€÷wŠ|ÌwÇ|Ìw|w|w„x€÷wŠ|w|w|wÌ|w|w„x€÷wˆ|wÇww|ÇÌw„x€÷wˆÇwÌÌÇwÌÇwƒx€ÿƒø€ÿ‚€ð�‹‚lpÀÀ`H <\€€€€€€€€€€€€ÀÀÀÿÿÿÿÿÿÿÿÿÿÿÿ�ð‚w‚pwƒpøˆ„‡pøˆ w�xˆ„‡pøˆ�€ �xˆ„‡pøˆ�€ ÿ‚ðxˆ„‡pøˆ�€ ÿ‚ðxˆ„‡pøˆ…€ÿ†ððxˆ„‡pøˆ�€ ÿ‚ðxˆ„‡pøˆ�€ ÿ‚ðxˆ„‡pøˆ…€ÿ†ððxˆ„‡pøˆ�€ ÿ‚ðxˆ„‡pøˆ�€ ÿ‚ðxˆ„‡pøˆ…€ÿ†ððxˆ„‡pøˆ�€ ÿ‚ðxˆ„‡pøˆ�€ ÿ‚ðxˆ„‡pøˆ…€ÿ†ððxˆ„‡pøˆ�€ ÿ‚ðxˆ„‡pøˆ�€ ÿ‚ðxˆ„‡pøˆ…€ÿ†ððxˆ„‡pøˆ�€ ÿ‚ðxˆ„‡pøˆ�€ ÿ‚ðxˆ„‡pøˆ…€ÿ†ððxˆ„‡pøˆ�€ ÿ‚ðxˆ„‡pøˆ�€ ÿ‚ðxˆ„‡pøˆ…€ÿ†ððxˆ„‡pøˆ�€ ÿ‚ðxˆ„‡pøˆ�€ �xˆ„‡pøˆ�€ Ì‚Àxˆ„‡pøˆ�€ Ì‚Àxˆ„‡pøˆ�€ ˆ„‡pøˆƒ‡pÿƒ÷pÿ‚pð�“ŠlpÀÀ`H L\€€€€€€€€€€€€ÀÀÀÿÿÿÿÿÿÿÿÿÿÿÿ�ð‚w‚pwƒpøˆ„‡pøˆ„‡pøˆ„‡pøˆ„‡pøˆ„‡pøˆwŠxˆˆ‡pøˆˆ€ÿxˆˆ‡pøˆˆ€ÿðÿðÿðÿðÿðÿðÿðxˆˆ‡pøˆˆ€ÿðÿðÿðÿðÿðÿðÿðxˆˆ‡pøˆˆ€ÿðÿðÿðÿðÿðÿðÿðxˆˆ‡pøˆˆ€ÿðÿðÿðÿðÿðÿðÿðxˆˆ‡pøˆˆ€ÿðÿðÿðÿðÿðÿðÿðxˆˆ‡pøÿˆˆ€ÿðÿðÿðÿðÿðÿðÿðxˆˆ‡pøˆˆ€ÿðÿðÿðÿðÿðÿðÿðxˆˆ‡pøˆˆ€ÿðÿðxˆˆ‡pøˆˆ€ÿðÿðxˆˆ‡pøˆˆ€ÿðÿðxˆˆ‡pøˆˆ€ÿÿðÿðxˆˆ‡pøˆˆ€ÿðÿðxˆˆ‡pøˆˆ€ÿðÿðxˆˆ‡pøˆˆ€ÿðÿðxˆˆ‡pøˆˆ€ÿðÿðxˆˆ‡pøˆˆ€ÿðÿ¥ðxˆˆ‡pøˆˆ€ÿðÿðxˆˆ‡pøˆˆ€ˆ„‡pøˆ„‡pøˆ„‡pøˆ„‡pøˆ„‡pøˆƒ‡pÿƒ÷pÿ‚pð�Á¸lpÀÀ`H ¨\€€€€€€€€€ÀÀÀ€€€ÿÿÿÿÿÿÿÿÿÿÿÿ�ð‚ˆ‚€ˆƒ€÷w„x€÷w„x€÷w�pw�w„x€÷wƒpwwƒpww„x€÷w…pww…ppww„x€÷w„p™w„pp™w„x€÷wƒp™w†wwp™w„x€÷w…™ppw†pp™wŒx€÷ww™ppw•ppp™wwx€÷ww™ppw•pp™wwx€÷wwp™ppw’p™wwx€÷wwp™w–pp™wwx€÷wwp™wpwÙpp™wwx€÷wwpwpwppwwwx€÷wwpwpwwwpwwpwwx€÷wwpwwpwwpwwwwpwwx€÷wwpww‚pw“pwwx€÷wwpwpwwwˆpwwx€÷w…wppw�w„x€÷w…wpw�w„x€÷w…www�w„x€÷w…pwpw‚pw„x€÷w‚p w‚pw„x€÷w� w�w„x€÷w‚w‚pw„x€÷w‚pw‚w„x€÷wƒw‚w„x€÷w�w„x€÷w�pw„x€÷wƒx€ÿƒø€ÿ‚€ð�ullpÀÀ`H \€€€€€€€€€€€€ÀÀÀÿÿÿÿÿÿÿÿÿÿÿÿ�ð‚w‚pwƒpøˆ„‡pøˆ�x ˆ„‡pøˆ…"" w ˆ„‡pøˆ†"" wxˆ„‡pøˆ†"" wwˆ„‡pøˆ‡"" wwxˆ„‡pøˆwˆ„‡pø ˆw�xˆ„‡pøˆ�‡wˆ„‡pøˆ†"" ˆ‡wˆ„‡pøˆ†"" xˆwˆ„‡pøˆˆ"" wˆˆ‡wˆ„‡pøˆ�"�w‡xˆˆ‡pøˆ�€"�w‡xˆˆ‡pøˆ�€"� w�xˆ„‡pøˆ�"�w�xˆ„‡pøˆ�€"� ˆ‡‡pøˆˆ€ƒˆˆ"�ˆ�‡pøˆˆ€"" ˆˆ€"�ˆ�‡pøˆˆ€"" ˆˆ€"�ˆ�‡pøˆˆ€"" ˆˆ€"�ˆ‡‡pøˆˆ€"ƒˆ"�ˆ‡‡pøˆˆ€"‚ "�ˆ„‡pøˆ�"� ˆ„‡pøˆ�"� ˆ„‡pøˆ�€"�ˆ„‡pøˆ�"� ˆ„‡pøˆ‚€"‚  ˆ„‡pøˆ�€� ˆ„‡pøˆƒ‡pÿƒ÷pÿ‚pð�öîòü %27;>BOTanq~‹˜¥²µÎÓÙÞåèìðóú  %,;BJRYaetzƒˆœŸ¥¬¯µÅãõü"',16@FOSVZ^ëñô÷ ` f j m s y Ž ­ Ò Õ Ø Ü â å Y d j n v z } � ‰ Ž ’ – š ž ª µ ¼ À Å Î Ô Ù Ý å é ñ ÷ û ÿ    , 5 = B G N U Z k p t Š ž ¥ « ¶ º Â Ì Ó Ú ß â è ñ ý      ! * : E I R X a o x ~ ƒ ‡ ‹ � ” ™ ž º ¾ Ä Õ Û à ã æ G L Æ Ë Ï Ó Û ë î õ ü '/SušÁìJOap�‰Ž’šŸ¥¬°¶¹ÅÊÐÓÙáäéí÷þ %*.6<BELOU]hkqw…Ž›¤¨«¯³º¾ÄÉÎÓÙàäçëñøü ")18@HMSY^bgoty‚ˆ�—Ÿ§´½ÅÌÕßçïù!%,6<CLR[^dhou~…Œ—ž§®´ºÃÆÍÖÞéïóøü  #)-17=CIPV[bjptyƒŠŽ“™Ÿ¥¬³»ÁÈÐÚßçëðõùþ #(/5;AHLOWZ^jptz„‡Ž’˜Ÿª°·½ÂÍÒØÞðôþ "&-147:>FJNSW]dgkotx}�‡�•œ£§«¯·ÃÇÍÑ×Þáæíôøý  #&*/3:?FJNRW[cfjnv|„‡�”šŸ¤ª±¸½ÃÆËÎÑÕÙÝãéîöûþ"'.5>HPY^cgou|�‡�‘™ «°¸ÀÉÌÔÛäêð÷ü#)1:CLRY\biry~†Š‘—�¥¬°¶º¿ÄÉÏÕÛâåëóü &+/4:>CLSY_hptx~ƒˆ�“˜¢§¬´¹ÀÈÎÓ×Ýáåìóú  +/37:?CGLQUZgkpw{„‰‘–œ §­´¹ÀÆÌÒÙâëøþ "',28<AFKQW^hpwƒ‰�”—šž¢¦«¯´»ÀÅÊÎÔÛâéñõüÿ (0xF(checked),(key:(patch(picture(status0:0590:0730:0800:118 Note On0:1190xBn1. 120,1:000 Note On1:0101:112 Note On1:118 Note On2. 2:000 Note On2:049 Note On2:055 Note On2:057 Note On2:060 Note On3. A dialog box is displayedASCIIAdjustAfterAlignedAllAlt+AltoC 5CaptureChangeChannelChooseChordClearClefClockCloseClosingClosing WindowsCommandConfigurContinueControlControlsCopyCopying a TrackCreateCtrl Chg,Ctrl+Customize MIDI Edit.CutDashedDefaultDelDeleteDeleting a TrackDestroying one of the windows.Determines whetherDisplayDisplay orDurationE 6EachEditEditEdit,Edit.EnterEventEventEvent MenuEventsExclusiveExitF 5FileFileFiles created by MIDI Edit can be loaded by many other MIDI software packages. For information on the file format used, see MIDI File FormatFilterForForFor example,For example, assume that the current timebase was 120, and the track contained the following:FormatHelpHexHow toHow toHow to play the song.How to select an event to edit.How to switch between active windows.I/OIf If aImportIn In the event that you make a mistake performing this command, the Edit Undo command can be used to restore the trackInformationInsertInstInternalIt'sKeyKey:KeyboardLinesListLoadMIDIMIDIMIDIEDIT.INIMIDILIB.DLLMPU-401MenuMergeMetronomeMiddleMouseMoveMoving aNameNegativeNormalNoteOnceOpenOpening WindowsOptionsOptionsOptions MenuOtherwiseOverviewPastePatchPerformPgm ChgPianoPiano Roll WindowPitchPlayPlay Controls OverviewPlay Controls WindowPlayingPleasePreferencesPresPressureProceduresProgramQuantisQuickROLRecordRecordingRegistrationRelativeResetRolandRollSaveSeeSelectSelectingSelecting EventsSelecting aSendSharewareShift+Shift+DelShort Cut Key:SignatureSimplySinceSomeSongSongSoundSplitStartStarting one of the windows.StopSwitchSwitching WindowsSystemTempoTheTheThe following topics will help to describe how to perform various tasks in the Track List window.ThereThere are various commands available when using the Track List window. These are fully explained in the following topics.TheseThisTimeTimebaseTiming source isTo ToolbarTouch):TrackTrackTrack List WindowTrack".TransformTransposTurn current note into a eighth noteTurn current note into a half noteTurn current note into a quarter noteTurn current note into a sixteenth noteTurn current note into a thirty-second noteTurn current note into a whole noteUnaffectedUndoUsed to insert/delete/edit single MIDI eventsUsingUsing the KeyboardUsing the MouseUsing the ToolbarVelocityWheelWhenWheneverWhileWindowWindowsWithYamahaYouabbreviationaboutabove.accactiveactuallyaddaddedaddiadditionaladdressadjustadjustadjustedafteragainallallowsalongalsoalthoughalwaysamountandanotheranyappearapproachappropriateareaskingassignassignedassumeattached,automaticallyavailablebackbarbasebeatbecausebeenbeforebehavbeingbelowbetterbetweenbothboxbox.bufferbuffer.busybuttonbytecancausecertainchangechangedchangeschangingchannelchannel.channelscheckchoosechosenclearclefclickclickingclockclosecolourcomcombincommandcommand,command.commandsconfigurationconfigureconsistscontaincontainedcontainingcontainscontentscontinuouscontrolcontrolsconvertedconvertingcopiescopycorrectcorrespondcreatecurrentcurrentlycursorcustomizecutdasheddatadefaultdeletedependingdescribdesireddestinationdetailsdeterminedevelopdevicedialogdifferentdisdisplaydisplayeddisplaysdistributeddividedoesdon'tdonedoubledowndrawdrumdurationduringeacheasechoededitediteditedeffecteightheitherelapsedenableenterenteredenteringentireentrequalequivalentevaluateveneventevent,event.eventsevents.exampleexample,exceptexecuteexiting.experimentexplaexternalfilefile.filesfindfirstfollowfollowingforformatfoundfreefromfullyfurtherfuturegeneraglobalgraphichalfhanhardwarehashaveheadphones).heighthelphigherhorizontalhowhowevericonidentiignoredimplementedimportimproveincludindexinformationinputinsertinsertinsert/delete/editinstinstrumentintendedinterinterpretationinterruptintoinvalidit'sit.itskeykey.keyboardkeysknowlargelastlengthlengthsletlikelinelineslistlisteloadloadedlocatelocationlookingmachinemademainmakemanuallymanufacturesmanymappedmarkmastermaximummaymeansmemory,memory.menumenu.mergemessagemetametronomemiddlemistakemodmoremousemovemultiplmusicmusicalmustnamenamename.neednegativenewnextnon-non-MIDInormalnormallynotnotation.notenote'snote.notesnumbernumber.numbersoccuroctaveoffoftenon,oneone.onlyopenoperatoptionorderoriginalotheroutoutputoverpackagepairparticularpastepatchpatchesperformperformedperformingperformspermanentpitchplaceplayplaybackplayedplayingplayspleasepop-upportpositionpossiblpreferencespresspressingpreviousprimarilyproprobablyprogrampromptingproperquantiquarterquickrangerapidlyratherreadrealreasonreceiverecordrecordedrecordingrecoveredrectangleregistreleaseremrepeatreplacerepresentrequireresetrespondsrestrestoreresultreturnreversedrunningsamesamplesavesavedsavesscalescreenscrollsecondsectionseeselectselectedselectingsemitonesendsentseparatesequencesetsettingsetupsharshortshouldshowshownsignaturesimilarsimplysinglesixteenthsoftwaresomesongsong'ssong,song.songssourcespecispecifyingsplitstaffstandardstartstartedstartingstatusstepsstopstreamsubssuchsuggestsupportsupportsupportedsupposedsureswitchsystemtempotemporarilytestthanthatthetheirthemthentherethesetheythingthirty-secondthisthreethroughticktimetime,time.timebasetimestimingtonetoolbartopicstopics.tracktrack'strack,track.trackstracks.transformtransposetranspositiontrebletryingtwotypeunderundoupdateduseusedused,used.usefulusers.usesusingvalidvaluevalue.valuesvariousvelocitiesvelocityversionverticalviewvolumewantwarningwaswaywellwerewhatwheelwhenwherewhetherwhichwhilewholewillwindowwindow,window.windowswindows.withwithoutworwouldyouyourzero6-ltæç(MIDI Edit Help+ÊKiM¤j]Üj]ˆªªÿÿÿÿ ÿÿÿÿ( (!°ÿÿµIndex4(4%€€à+€€‚ÿç�µIndex&4&#€€à+R€‚ÿ[&26€€à+€‚‚€€á‰‚‚‚ÿç�is a Ë{Íis “to manipulate ç¨. It õçto •[, Û“ç¨, éCç It stores ó ŸCç#2, so it Eèe 'ßÃ7çý>s, jing ý17¶s.ç�is  a 7z, but is -Ë‹CX concept. ‹õçto =C{to ¹Ëit is âth thing, Ibuy it if ç going to ‘‹ Ñóžer C{if ç going to ‘‹ MCUtopic @ 1žration xructions.ç�is ù‹continuing ºment. If þthing În't âk –ly or *es strangely, c¡me –. I am ù-to (ions 1hments to ç�“Nn€€à+R€‚‚‚ቃ‚ቃ‚ቃ‚ቃƒ‚ቃ‚ÿ‹m…a ©of óµm1ç‘­oon [to ‘´, oF1 or [·µ9CµÖ9p9up U1+]šZsÏon a Ct2Answers to "How do I..." questions.Keysáof ©•“in ç�@»Register çŒ% %!á9pRÞ%RNn€€à+R€€‚‚‚‚€€‚‚‚‚á)‰€€‚‚áL‰€€‚ÿ9pWelcome to ç‘ We Ótry to get çup »as fast as je by °ing [to Y'of C¿. Êcase çÑOa GMT-32 we Óù°e [to re-voice C¿ 1éæ.)a jLet's by _'of C¿ >d ßç‘ Three  ªd to ­YCLoad C OC¥ qYCÔ, lO �or by eon C_ of Âkette ßarrow Ö). ·C¿7Æ, Ó'of C¿ oOk. �Óbe ¯…ÑC»ÕÓbe �to ïa ©of Cyin C$Open C#b È. =_™is ÓŸUÙ qC#cÕby Òing it ŸCÔ, qF4 or by eon C_ of a Aof PdðRpDZ€€à+R€‚á"‰‚‚€€‚‚‚‚á%‰‚‚á#‰‚ÿ0Play C ‹part is ây, ÷con C#@. ­çoY9( 1Z-to n.6ing Cj�¿ Acome ßç� voiced 1a GMT-32 (or 'of �brothers: LAPC-1, CM-32L or CM-64). What happens if çÑO'of L? ×fairly ây to KCçWI“in a as çÓÑ..Switch to C»Ù If K eÛon top of C»×OEbe hd by Òing Bm ŸE7Õto iCÙ ­çoÑX.$Select Cqto äify. �á3¼»Õ¼s it ây to ¹ÃJs çûto ¼, %CGçS Ç1áw OCqç·to äify by eon it ßCéor moving CÓŸCup/down ¡”. MUš 1çn.ú¢púLj€€à+R€‚á8‰á5‰‚‚áJ‰€€€€‚‚á*‰‚ÿ0Change CçU �SEbe M;ŸC›Î sor Rly ŸC›GH u KGI9C›Ô, complete C¾. ‹ÓIKCSof óçin Cqto Cù¤4. GC. �Gis MŸC›à Ù ‹Õis ,ed ŸCF2 Ž, eon �_ of a Ô) or by Òing it !CÉ× �C{K by Õeon it ßCéor Òing C q’. ÑEIñÓq9C»×or iC›áÕby qF2 ð.ÑEnow YCŸCprocedure ªd × ÑíyùÁéJs to C (use C¥J p).$ú$!lZsHÕ$Hh¢€€à+R€€‚‚‚‚ቃƒ‚ቃƒ‚ቃƒ‚ቃƒ‚ቃƒ‚ቃƒ‚ቃƒ‚ÿZs‹m…a ©of Cµon C©ç�Zs. ­oon [to ‘´, oF1 or [·µ9CµÖ¥îh, ãor K&.�îd, ùor yyin C›îJs on Ñzçîaç¼s.kî�kParametersÉîaCÜn# H#!Ä2¡Ð#¡�ð€€à+R€€‚‚‚‚ቃ‚ቃ‚ቃƒ‚á ‰ƒƒƒ‚á!‰ƒƒ‚á"‰ƒƒƒ‚á#‰ƒ‚á$‰ƒ‚á%‰ƒ‚á%‰ƒ‚á&‰ƒ‚á'‰ƒ‚ÿ2‹m…a ©of Cµon C©ç�2. ­oon [to ‘´, oF1 or [·µ9CµÖf»•C‡of a vveting a š»­a vûšûqin CžingReturning to Ê.>?a v(¼UšHow to Óa vxÀrX|R¾·C”Use of C”.' ¡'!½ËKeysñ'#™�€à+R€€‚‚‚‚ƒƒ‚áJ‰ƒƒ‚áK‰ƒƒ‚áL‰ƒƒ‚á)‰ƒƒ‚á*‰ƒƒ‚á+‰ƒƒ‚áF‰ƒƒ‚á$‰ƒƒ‚á$‰ƒƒ‚‚‚‚€‚€‚á/‰ƒƒ‚á0‰ƒ‚ÿËKeys�/•Íbe “as ë¤s 1©win C»× ‰• Ûin óÚ, ÇCis _or ˜.F1´F2or UC›áÔF3or UCIÔF4or UC#cÔlOa ÿlSKC�lAKCï1a #ölRWEáto óç¼sF6wto CÔShift+F6wto CsÔ�/âs of • +/on ÿÝ They  grouped by ØMain ÈBksp³CsqJ\ùÍ ô Í q…CE:F#Æ^�€à+Rá1€‰ƒƒ‚á2‰ƒ‚á4‰ƒƒ‚‚€‚€‚áO‰ƒƒ‚áQ‰ƒƒ‚áP‰ƒƒ‚áR‰ƒƒ‚áS‰ƒƒ‚áT‰ƒƒ‚áU‰ƒƒ‚áV‰ƒƒ‚áW‰ƒƒ‚áX‰ƒƒ‚áY‰ƒƒ‚áZ‰ƒƒ‚‚€‚€‚ƒƒ‚ƒƒ‚ƒƒ‚ƒƒ‚ÿlInseCq…CE:Shift+InsÑC‡of CE:vyCq9C›á& s’�C�vyC�InsÑa ÿDGCÜRÑa ±)�CMake �part of a L1®2¦3¨4¤5ª6¬OnlyPgUpùC�up 'PgDnùC�×'UpùC�up 'ØDownùC�×'Ø^[^' €€à+R€ƒƒ‚ƒ‚ÿTabùto Cin CpShift+Tabùto Csin Cp# ^#!uÿÿ@N¢#N8B€€à+R€€‚‚€€€€‚‚‚‚‚ÿ@As Âcussed in Cl, ç�is -Ëas X. ‹õçto e C{to Ñif it Q~ly, )çOto pay 1‹ It Ï òow çto "evaluate" C{0ever - if ç‘it ïing it 1a week or †, Içò žer.’register ç�Ûme a a cheque or money 31$25 US. +je in ééö, mailing æ, �¯computer/MIDI æ. ��¯ois 5in CµAbout ¿9 If çå£a •mailed to æ, cßan å$5, I ÓÛçCmost recent ¯.I am ù~ested in –ing Ãçboxes çOas I am µ…,ing · fic Ps £Gös Ûös. ÄI —ÃçN, IÌbe I E-мN@R€€à+R€‚‚ƒ‚ƒ‚ƒ‚ƒ‚‚€‚€‚‚‚€‚€‚‚ÿ+Ûó˜ence to:Dan McKee69 Rancliffe RoadOakville, OntarioL6H 1B1Free AOfferIf ç C+person to tell me Õa �bug, I Ógive ça 7žration. I Óùªn to �able requests 17žrations 9people who å£to Ume iextend ç�æLIB.DLLA $tantial ÿof Ceffort Awent …ç�»Ýspent ºing æLIB.DLL - Ccode AÝruns Cì. If ç …to »a Ë{A�a ç¼, I Íbe able to Uç8. Just ¡me —Ãç µ0, I Ó¡ç—if I ET.% %!sÿÿ¥îB§%Ni¤€€à+R€€‚‚‚‚‚‚á(‰ƒƒ‚á)‰ƒƒ‚á*‰ƒƒ‚á+‰ƒ‚á,‰ƒƒ‚á-‰ƒƒ‚á.‰ƒƒ‚ÿ¥î�¥Õjes wAõçto ­or Á&, or ›a ÿ­çoÕa ¥ïsÓ'of C/nNewia ÿâs a ÿ$ÿ$JJs C�KAsJs C‹a ÿøððs a …�ÈÉa Adlib ;$žžs ç�% N%! �îÅ%*&€€à+R€€‚‚‚‚‚ÿ�î��Õjes wAõçto ”, ­ëyÞin C­çoÕan �ïsÓ'of C/n**' €€à+XR‘€s€‚ÿJ5*J+(€€à+Rá/€‰ƒƒ‚ÿ²Restores Cs‡of a v–žJ–AT€€à+XR‘€sá0€‰ƒƒ‚á1‰ƒƒ‚á2‰ƒƒ‚ÿpxs uês it to CE<dCopies qto CE<øs q9CE;…C[D–[4:€€à+Rá3€‰ƒƒ‚á4‰ƒƒ‚ÿNNs a qof óxxs a v% [%!Ǜ%¢}Ì€€à+R€€‚‚‚‚‚‚á5‰ƒ‚á6‰ƒƒ‚á7‰ƒƒ‚á8‰ƒƒ‚á9‰ƒƒƒ‚á:‰ƒƒ‚á;‰ƒƒƒ‚á<‰ƒƒ‚á=‰ƒƒ‚ÿ›î�qÕjes a of wÍKCJs to an ýv­çoÕa ›ïsÓ'of C/nGHGCçSof in a v©šyÕç ˆs.©Hyçon ÿV.Î�qparameters, Åqn.ðñ9‡y…(6e7gof noa q…ìe z¢e¢e Cin a v |ation on  ¦.% ¢%!íçîÈï%È‡à€€à+R€€‚‚‚‚‚‚á>‰ƒƒƒ‚á?‰ƒƒ‚á@‰ƒƒ‚áA‰ƒƒ‚áB‰ƒƒ‚áC‰ƒƒ‚áD‰ƒƒ‚áE‰ƒƒ‚áF‰ƒƒƒ‚áG‰ƒƒ‚ÿçî�çÕjes items A‹C½ç�¯to ©ç­çoÕa çïsÓ'of C/nThruç ä.!À‰Šler  –.œ{� –.Real ŒçReal �Ús  b.ÕR‘~nalçR‘9çgE¶Eç©#in a $W¶Vs a captured ç©".DVs ç­áon óV.\e\es CçDevice.% È%!èkîÃ%Ã?P€€à+R€€‚‚‚‚‚‚áH‰ƒƒƒ‚áI‰ƒƒƒ‚ÿkî�kÕis “to éãÿ0s AíCý­çoÕa kïsÓ'of C/nŽSets C]!1a ÿkØSets C�ó1C% Ã%!$Ëîsª%Nn€€à+R€€‚‚‚‚‚‚‚‚‚‚‚‚áJ‰ƒƒ‚áK‰ƒƒ‚áL‰ƒƒ‚‚‚ÿÉî�ÉÕ�ÍÛ Æ.ç�…WeÛin âtion to C»Ù �»Õis C+ÕÛÇç�is , shows a ©of Cyin C ×<“to Óa v�›áIÛ “to Åor éCin a ùw �›áÕÉCin a text 2, ÏCIÕÉçin a 3õto ñ �#cÕis “to YCor •a w It Eùbe “to ‹a Ï™or ^.­çoÕ'of Cç�Ú, Ó'of C/n›àƒ�ç›in ©2.Hƒ�›in I2.#b#Cor =a v�Ëïis “to -or i'of CWç�Ý ÇYÇis ñbeside CÔ's ö, IÒing AÕÓGit to be hd. If no YÇis ð, CÕÓbe ,ed.€€=L€€à+R€‚‚‚á$‰ƒ‚á%‰ƒ‚á%‰ƒ‚ÿ­=oÕ[to -iCÚ, Ó'of C/nxÀrX|# €#!Ìÿÿ©Å#©c˜€€à+R€€‚‚‚‚‚‚‚‚á[‰ƒƒ‚á\‰ƒƒ‚á]‰ƒƒ‚á^‰ƒƒ‚á_‰ƒƒ‚á`‰ƒƒ‚ÿ�s in Wwindows: ›à, IC»Ù Êeach ×CÕ…a Áãof 0s.Most of M0s  stored Ççexit ç�so A]ç‘ç�çdo  Oto £ç�ð.­çoÕ'of Cv, Ó'of C/n,Set m1ç�BaC�of ]Js.¾ƒhide C­Æ.sÞƒhide §¦.QvesDisplay Õa¦.m–mas O Ô.#©#!¸ÿÿf•n#•Ml€€à+R€€‚‚‚‚á#‰‚á1‰€€‚‚á2‰€€‚‚‚ÿfÊorder to duplicate C‡of a uC/óbe L.Select Cqçå£to •by Òing it in C»Ù MUš 1çn.$Perform an �d qlIns) to •Cq…CE<0Select C³to uCÿ•of Cw ‹is Óby Òing CqACÿqíbe ted (.4. an � qShift+Ins) to uCq…CÆnother •of Cqis ², ¥3 4.-•-!ñveting a šÄÿ-Ä=L€€à+R€€‚‚‚‚á#‰‚á4‰€€‚ÿveting a šÊorder to ­a qKC/.Select Cqçå£to ¬. MUš 1çn.$Perform an �x qv) to ­Cq9C%Ä%!~ ûšM%YKh€€à+R€€‚‚‚‚á#‰‚á0‰€€‚‚á2‰€€‚ÿûšÊorder to ëa qto iin CKC/.Select Cqçå£to ê. MUš 1çn.$Perform an �p q\) to ­CqWit …CE<0Select C³to uCu¢embering ACqÓbe ted )CÕv4. an � q°&Õ&°&Shift+Ins) to uCq…C&Y&!ù!žingÓA&Ó02€€à+R€€‚‚€€‚‚‚ÿžing’exit ç�·to Ê, [ñU9C»Ô's 7Õor Ÿ9C¥× ÑEùiç�by qC>F4 �nation.If çO Ãé›ãof Js, ç�Óask çif ç·to ÁBm )# Ó#!_ "><l#<q´€€à+R€€‚‚‚‚‚áL‰€€€€‚€€‚€€‚‚á/‰€€á1‰€€á0‰€€‚ÿ>�/ ªd to •a vSelect Cqin Cto •„. If Cq]is  empty, C—qÓ§it in C$Start C#b ÕF4) or 5to C#cÕif ‰already F6). ÑEùcon CY‹Ô's _ of a Aof P0Press C< Ato ˜.4. .s Ct AÇ™is finished.If çinadvertently •=a qÍçdid  ·to loose, C�² q>Bksp) Ó³C5w If çù·to keep é—u‘C�d lIns) or �p q(key: \) to •C—q…CE;)restoring C5v#<#!õ!#(Òi#Ò<J€€à+R€€‚‚áL‰€€‚‚‚‚‚‚‚‚‚ÿ(A is ]ŸC#b Ù ‹Õis by Òing it on CÉÔ, qF4 or eon �_ of a Aof P#is by qC#@.ÇCis º, Õis �to ïCó]in Ìs C�# As 9Js or GJs  encountered, M ùÆ.�9of CEbe Mω_ŸC9Ë. There Íto be a lag ÇQC8.��Gis ùÇ1áçU If ç·to ßÁIÏCis ^, ÷KCG As ç½áJ, a ç5GÛis Ýon CÕU ‹Eùbe Óin !äe.%Ò%!a"$Uš<ð%<Kh€€à+R€€‚‚‚‚€‚€‚€€‚‚‚€‚€‚‚‚á$‰‚ÿUš��qis “in C‡éÚ, óof Cwin C›× ’change C�uKC/.¸Switch to C»Õby qF6 'or çd.$Use C¡Up/Down •to KCÕv·CöSwitch to C³qby eon it in C»ØMx 1çoon [to 5to C»Ø#<#!™#%xj2#vLj€€à+R€€‚‚‚‚€‚€‚‚‚‚‚€‚€‚€€€€‚‚‚ÿxÍCìe Û “by ç�a method of ‰4ing 3ÛÛis úed.·a ö’switch to ÕŸCè, ÷cþwhere on CÕçwish to 5to. If CÕis  Ú, çEit ŸCÉÕof C»ØÑEÜ.ÿ.Ü.ù5Ûby eon an _on Cj. ‰^s -CÕif it is hd, iCÕif it is CÛÕ5to CÕif it is  CÛØ¸Two •O'provided ÍÓcycle YCÛÝ �F6 �4es to C×ÏCShift+F6 �Ó5to CsÙ �3of CÛis: s à, H, #cMain È.�ÕÕ(or 륎) Íùbe “to 5Š. ‰w-CÕif it is hd, iCÕif it is CÛÕ5to CÕif it is  CÛØ-v-!o$&Opening Xj-^Ž€€à+R€€‚‚‚‚€‚€‚‚‚‚‚€‚€‚‚‡€€€ƒ‚‡€€€ƒ‚ÿOpening X�©Û ,ed hd in W¼s. ÑE‘CÉÕof C»×©ë¥•or C^s on Cj.·CöUse Céto C—q9CÉÕof C»Ù If CÕis hd, it Óbe ,ed. If ‰-CÛ×it Óbe hd. If ‰- CÛ×it Óbe ¹CÛØÑEùcon C _on Cj. ‹QC½½as is °ed × �©^s on Ck ªd /÷ßC륔.¸‰ÕM'a function �Íis “to ,, ior 5to CÙ �륕 ªd ..F2œF3AA26€€à+R€‡€€€ƒ‚ÿF4#cÈ'A'!%'Tn –Ý!'ÝTz€€à+R€€‚‚‚‚€‚€‚€€€€‚‚€‚€‚€€€€‚ÿTn –’edit or ­an  9a uçó+Óit in ñC›áÕor IÙ ‹Ebe ÓßñC“or Cè.œ‹Õ*es £a Ë©9 Oan  by eon it ßCè, or ŸC¡•to ëéÒion. � EIbe ëby Õeor ŸC’ ‘ � Ebe ¬d ŸCv �’select a in UÕßCè, ÷con C³. ÍC’, ‘CTab/Shift+Tab •to ëto Cor s. �Ebe ëby Õeor ŸC“‘ � Ebe ¬d ŸCv �'Ý'!ý&ÿÿ·C”ï'ýJf€€à+R€€‚‚‚‚€‚€‚‚‚€‚€‡€á)‰‚‚ÿ·C”If çOa è, Ckis a Hdy ë¥to ŸCmenus, just as 륕provide Ó1“› Êorder to ‘CkçóOa è. �©�on Ck °ed ..›ü�ŸÕs÷is ñin C"combo 6" on Cleft side of Cj. ÑEÓa ÿqŸUxead of C©7in C»Ù Clicking on C×arrow on Cright side of Cq÷ÓGa ©7to . ÑEIËU¨, ÓC³qby eon Š¥& ¥J‹_is “as a ë¥1C¥ sÍis “to ­a 9Âk.XX6 8è5leýl02€€à+€‡€á*‰‚ÿ‹_is a …½of saving C� It is `cal to C¥J tmÀlm‡à€€à+R€‚€‚€‡€á8‰‚‚€‚€‚‚‡€áJ‰‚‡€áK‰‚‡€áL‰‚‚€‚€‡€€€‚ÿ›Î�›Î qis “to éCoÕa qor to ³åoÕa v›à, I#b�W^s up, shut ×5to 'of CWeÛA “1qèing ^.‹_is “to up, 5to or i×C›à Ù ‹Õis “to éa s©in a ©2.�H Õis , 4ed to or hd ×ßU^. It is “to éa s©in a 3õto ñ �#b Õis “to •or [ç¨, Ebe , 4ed to or hd ×by eon U^.´�›_is “to up CU7Aç presently Ÿto ³UÞ. It is to CµIndex Õitem or CF1 �)m)!oÿÿ)¥New ZF)F=L€€à+R€€‚‚‚‚‚‚áJ‰á!‰‚‚€‚ÿ¥New Z�¥New qis “to _C�9Ó It ¬s óx, reinitialises C7to �up state.If çO ÃC›Js ç¹to C�", ç�ask çif çå£to ÁBm )^ing C9^ing C9Ñ)™is Ò, çíýãan initial 9]óin qê. Mœ > 1¶._lN'F'!J(*¥Z#Ý'#?P€€à+R€€‚‚‡€‚‚‚‚áa‰‚‚€‚ÿ¥Z�¥qis “to ­a 9Âk. It ¦s C�in ÒIf çO ÃC›Js ç¹to C�", ç�ask çif çå£to ÁéJs )loading Cÿ‹qÓ­ç'9a of àrs as ¿as 'Ã9ç‘ ­ç·on C/&, Ñ祲._lO'#'!w)+¥KZP'POp€€à+R€€‚‚‡€á+‰á+‰á)‰‚‚áa‰‚‚€‚ÿ¥KZ�¥KqÀs C�ŸC�#ù If Kis no �#ö, C¥Kqis C½as C¥KAs u Ç»rly öd ŸC¥KAs qor if C#»¯ŸC¥ sIC#on Âk is s. ­oon C#3•Ñ祲_lS*P*!*,¥KAs Zài*ì5<€€à+R€€‚‚‚‚áa‰‚‚€‚ÿ¥KAs Z�¥KAs qÀs C�ï}1a #ù If Cù#÷exists, ç�Óprompt )s. ­o????on C#3•Ñ祲_lA'ì'! +-¥ñZäh'ä@R€€à+R€€‚‚‚‚áH‰‚‚á9‰‚‚á<‰‚ÿ¥ñZ�¥ñqis “to ­a …memory álosing C‡of Ó ‹Ebe “to Ù‡ together.‰q9CØd #is áas a ÿw If Ccof CØd is Á9C�in ÑCØd cis íto match. ‹ÏAçí½3AC�cis �able )Jing CØ. Use CkŽ qto do T.CM'Ød …Ñçíé/or ÙC9]ó…qëŸC›ð t��of CØd #is b. �‡   íto ½3O in C½�ò. ÑÓOto do Uèself, ŸC›¢e t'ä'!Ú,.¥ÉZ³i'³@R€€à+R€€‚‚‚‚‚‚‚‚á=‰á6‰á5‰‚ÿ¥ÉZ�¥Éqis “to gan Adlib ;#…Ó 3òowing çto ÓC#to ¬. a #is Ô, C;#is �…ÒA Í¿7is ÇïCM'®. ·U¿6, çEÓ çGto match Czs in C;% çGto ó;zs, óof CGÓbe áto C�$9Cg.ion is complete, qëÓ]ó9K*. �q÷of UqÓbe C½as C;#ø‰q�Óbe öd ïC+{5in Cw �Í{5Óbe “as C{ù �;qis monophonic, is to S) �+je AÓbe produced  , UÅJs GJs. eCqµw9C;# translated …¬, çÍûto ëC­Çof CyŸC›  u ÑÍwish to filter CUÅJs ŸC›©š u Finally, çí Wto CyŸC›GH t'³'!¿-ÿÿ¥ŸZ˜Þ'˜)$€€à+R€€‚‚‚‚ÿ¥ŸZ�¥ŸqÓterminate ç�·to Ê. If C›Js to C�#O 'Â, ç�Óask if çå£to ÁBm )'˜'!ÿÿ0�³Zà�'à14€€à+R€€‚‚‚‚‚‚‚‚€‚ÿ�³Z��³qis “to �Cs.ion on a v=wÍGa qto be MÓ•C5q…C�;)making Js.��³qÓ5C‡of C�;C5w A Í�³qÓ�CsŒ._>Backspace'à'!/1�qZà}'à;H€€à+R€€‚‚‚‚á/‰á2‰‚‚€‚ÿ�qZ��qq“C‡of C�q…CE= �s‡of CE; lost. �qis I¢oved 9C‹qE be ¹ŸC�² s]C� qEbe “to uCq…C_\ete'à3!Á02�ýFÝGÝGeZŽá3Ž/0€€à+R€€‚‚‚‚‚‚€‚ÿ�eZ��eq“C‡of C�q…CE= �s‡of CE; lost.‹qE be ¸._lInsert'Ž'!13�Zëc'ëAT€€à+R€€‚‚€€‚‚á1‰á0‰‚‚€‚ÿ�Z��qts C‡of CE;…C( C�w =y9C�qto C›q shifted ×to ½room 1CÿvA qis Vd …CE;ŸñC�d or �p v._Shift+Insert'ë'!Ï24�OZ¨û'¨5<€€à+R€€‚‚á2‰á/‰‚‚ÿ�OZ��OqÓ_C‡of Cw It ¢oves ó9Cw �5qis  1an � .ion, ]it Ebe ›ŸC�² t'¨'!Ú3ÿÿ�yZ³'³9D€€à+R€€‚‚á2‰á/‰‚‚€‚ÿ�yZ��yqÓ­C‡of Cuá”ing Cq…CE= �¬d qis  1an � .ion, ]it Ebe ›ŸC�² t_v)³)!Öÿÿ6›GIZ­)­Z†€€à+R€€‚‚‚‚‚‚‚€ƒƒƒƒƒ‚ƒƒƒƒƒ‚€‚‚€ƒƒƒƒƒ‚ƒƒƒƒƒ‚€‚á/‰‚ÿ›GIZ�GIqÓKCSof Õin a v3}1a S‡CÿS =çin CqÍOa Sin Cù‡ÓOESãto Cÿ¤¯KÁ‡in Ctrack:3B64 &4†64ÇKSqÁcarried 8, Òing a ‡of 4 to 16, ßa ÿSof 1, C/å´:3B64 &1†64Êthe  Aç½a ãJing UsC�² qEbe “to ³Cv)­)!257›©›Z Ú) 26€€à+R€€‚‚‚‚‚‚á/‰‚ÿ›©›Z�©›qis “to ­Iç9a v2, Íis “to ÓÍ ˆs  to be ¬d 9Cw Tn  Fs an "x" to be Çin CY6, ÍÓGof U‰to be ¬d 9CvÊthe  Aç½a ãJing UsC�² qEbe “to ³Cv) )!D68›©IZ)4:€€à+R€€‚‚‚‚‚‚‚‚á/‰‚ÿ›©IZ�©Iqis “to ­óçin a S‡9a v2, Íis “to ÓC‡of Sto ¬. =ßa Sin C fied ‡Óbe ¬d.Non ç'as 9]óÓnever be ¬d.Êthe  Aç½a ãJing UsC�² qEbe “to ³Cqto �5¤''!79›ÏZ©w'µ`’€€à+R€€‚‚‡€‚‚‚‚€¥OÌO¥O€‚‚€€‚‚€€‚‚€€‚‚€€á=‰‚ÿ›ÏZ�›Ïqis “to éCoÕa uas ¿as Å™qn.�/is a ©of Cfields AEbe äified ŸUt›ü is C÷Ais to Cw ×Çin C»×“to `fy Cqin ¿boxes Ãin C$Òrument is C÷of C‰of {“in Cw ×Çin C»ÕÃin C$¬ce to H is “to 0ce óin Cqto be ;on a ùçU �0ced Sis  Ãin C#ÇCis Â.Mute š is “to mute a qßZ. �muted of a qis  Â.¿7by is a €ty to be áto C­of óçOn  ‹is #“to ‹Cµof C. ÿadjustments  /by ÷öing a ý¥ ¿adjustments   Â, ]C›  qEbe “to Ka S­adjustment.”µ>N€€à+R€‚€€á<‰‚‚€€‚‚‚‚‚‚‚ÿSemitones to ¢e is “to CqßZ. ÿþs Eùbe — �ÿis  Â. MC›¢e q1a StÏDisplayedÆll in Cqon C½çR, ASis Æ. If ç?'Sis •CÛ"MIDI ›on Multiple Hs" is Çxead. If K no çin CuCÛ"No çš" is Æ.�total q]�is Æ, ÷ßCof in CqCof Bs ªd to hold Cv�Ëof simultaneous A on at given ]is Æ. If +'is on at a _CÛis "Monophonic Ÿ If no  5in CqCÛÓbe "No s in ž 26€€à+R€‚á[‰‚‚á[‰‚ÿ�‡of is Æ. ‹is #™Ç‘Ûy3ÁÛ¶s. �‡is ñby 5÷decimal ç �ÇEbe íŸC , tÇç5G s in CuCÕGÓbe Æ. If ìe I •a ÛÓindicate Uas ¾. �G!Ebe íŸC , t''!Ú8:›ñZ³I'³02€€à+R€€‚‚‚‚á/‰‚ÿ›ñZ�›ñqis “to ne C‡of ‡y…) =95y Vd …Cµuin C 2.e+Cµqis L, C�² qÓ³Cs‡of Cµv)³)!¦9;›6e ZC‰)Ox€€à+R€€‚‚‚‚‚‚‚ƒ€€ƒ‚ƒ€€ƒ‚ƒ€€ƒƒ‚‚á/‰‚‚‚€ƒƒƒƒƒ‚ƒƒƒƒƒ‚ƒƒƒƒƒ‚€‚€€€€‚ÿ›6e Z�›6e qis “to Bly alter Cgof óin a v�]1óin CqÓbe íso AOon a ]Íis an ìe of Cù`�ŸEùbe €sed if ². �Wje actions AEbe Mon CŸ :°do  ëž:ƒV¬VƒV€se žEqualãóŸto C€sation \Êthe  Aç½a ãJing UsC�² qEbe “to ³Cqto �5¤¯ACq�C.:3B64 3†65(3 406ation ߟ° a �Interval of 60 (eighth ) Óproduce:.iO.tº€€à+R€ƒƒƒƒƒ‚ƒƒƒƒƒ‚ƒƒƒƒƒ‚€‚€€‚€ƒƒƒƒƒ‚ƒƒƒƒƒ‚ƒƒƒƒƒ‚€‚€€‚€ƒƒƒƒƒ‚ƒƒƒƒƒ‚ƒƒƒƒƒ‚ÿ3B64&3†65.3 40ÍŸ:, µåbe:3B64 &3†65.3 40 ÍŸEqual, ´ing qis:3B64  3†65 (3 40 '.'!B:<›oZ'Pr€€à+R€€‚‚‚‚€€‚‚€€‚‚€€‚‚€€‚‚á/‰‚ÿ›oZ�›oqis “to a q…'or ç{ €re  four Á¼s Aa qEbe .H:  fies Aá;qí+on 'çU If C qù…'as a 9J, an åqÓbe šd 1M–: áÁ ‰Óbe …a ßw ­xance a qƒ{Js åbe …‡zIndividual : á;qÓ+' ‹åube “Ç‘a 9'Û·to . ‹Óin @l ›a ™of zAt: Qa at a  fied . � qÓbe …‡ze+C qis L, C�² qÓ+³Cs‡of ‹ �yóIbe ¿¬d.))!,;=›¢e Zi÷)iBV€€à+R€€‚‚‚‚‚‚€€‚‚€€‚‚€€‚ÿ›¢e Z�›¢e qis “to óin Cw €re  ‡ˆs of €s ..A ¢ition is Mby âng a of Øs to á. ‹˜s to a Kin C�óof Cw ’transpose up ', çó12 Øs. ’transpose ×', ‘-12 xead.ÊKey �is a  al ‰of €, ÉCqis êd up or ×áQC�of Cw ­if a C Çis êd up 'h, çget a C Ç9D to D.ÃJing an ÊKey €, çó÷C��of CCof hs to ~. A �of 7 hs is to a of '.Suggestion: A written in a major �Ebe �…a minor �by Jing an ÊKey of -2 hs, ,ed by a of 3 Øs.šíiš26€€à+R€‚á8‰‚‚á/‰‚ÿ�›Î qEbe “to ;a q1Z.Êthe  Aç½a ãJing UsC�² qEbe “to ³Cqto �5¤'š'!Ý<ÿÿ›¡ZØ�'ä=L€€à+R€€‚‚‚€ƒ‚€‚‚‚‚‚‚€€‚ÿ›¡—_¾_—_Z�›¡qis “to }óin a qØording to Cformula:ÿ= ( ( old + ß) * mult ) / divÊother âds, C5©Man ÿáto it (which Íbe ü). �µis ìied by a , Uµis Ìd by þ. �´ing £is ‡Xed to ensure it is  , Uµbecomes Cÿ¤� ©to be |ed Ebe of C.: ¾, Ù0, aF, I0, !À, k|, —q�or Length.‹qEdo ÿvery powerful Ps to é¨, 'as: adjusting C­of a uly adjusting C9of a €sing etc.Consider C/problem. ÑOa qÍM«30 127 Íç·to ë…C‡0 to 100. Ñcould ëMby âng -27 (multiply by 1, Íby 1), Íåy½ÿtoo soft. A 1½åbe to ßê, ìy by 100 Íby 127. ‹Óly ¢ap Cª.ÒäÒ$€€à+R€‚‚ÿA õprocess Ebe “to ëa 8. If K a few 9, çmight )it âier to éBm. If K a ™of 9, ç·to speed up C9by 5% as an Ißê, ìy by 105 Íby 100.*Ò*!Ôÿÿ?çThru vª *ª("€€à+R€€‚‚‚ÿçThru v‹5¸s Ëç’d  ä. If U5is on óç’d by CçK åto ó;¼s. ‹ìively Js CçOut fs …çThru fs.)ª)!ã>@ç!Ávºã)º_�€€à+R€€‚‚‚‚€ƒƒƒƒƒ‚€ƒƒƒƒ‚ƒƒƒƒ‚ƒƒƒƒ‚ƒƒƒƒ‚ƒƒƒƒ‚ƒƒƒƒ‚ƒƒƒƒ‚ƒƒƒƒ‚‚‚ÿç!Áv‹5¸s Ë牊ler ois –. If C5is on ç‰Óbe –. M b. �/table shows CíAU5Mon á ˆ:—TypeOnOff0x8nOff––0x9nOn––0xAnÙ.–bk0-63–bk64-95––0xCn––0xDnChnlPres–b0xEn Whl–b‹5+.es ǘ. �牊ler  ýÝß[if O 5in a v'º'!p?Aç�vIO'I("€€à+R€€‚‚‚ÿç�v‹5Óbe ein a ? .,I,!=@BçReal �vÈ,,*€€à+R€€‚‚‚‚‚‚‚ÿçReal �v‹5¸s Ëç�¯to or ignores ç�]Ús: qA), uC) _B).If C5is %a çuÓG_or ™to  .If C5is %a çqor ç_ÓG™to çSync äe is Ú. a qor _Ûis b. ç�¼s no distinction 3q^.)5!<ACçÕSÇfØgØgv±526€€à+R€€‚‚‚‚‚‚áC‰‚ÿçÕSv‹5is “ÇC of ógis ~nal to CçŠler. ly U5íbe on.ÃÕfing is •Cçprocessor on C~face card @tes �own 9 ‹ÏAC9is ¸d by C9w�in C�7Ÿ/g is °ed in çR.''!ºBDçSv“�'“F^€€à+R€€‚‚‚‚áL‰‚‚€€€€‚‚áB‰‚ÿçSv‹5is “Çan !ç½is to be “as C"master". ‹!ɽóÛçg24 eper ". ‹is “to ‹C9of ó˜s Zs.ÃçRing is •9in C b. �9in C#b Õis ùb.Caution: If ™or [is Ççgäe is Ú, ç�Ówait 1'#). �{Óto Hg if no çgw -’d.Under circumstances CÕR íbe –)“)! CEçE·ZáT)á4:€€à+R€€‚‚‚‚‚‚‚‚áE‰‚ÿçE·Z‹qis “to capture a #of ç©in a % ly Uåbe “to •ç{�Ús.‹qFs ç�to ™óraw ç…a = ÃU™is  ped, C‡of C;Íbe Ãin a #in an 5hex 2. ‹õ1C#to be ëŸèors (such as Pad).=raw ç —in C:, 1çActive Sense (FE). ‰ ýfiltered.No gois kept ßU™process, so Uqis useless 1™ It is u}as a Ï1capturing ç{�Ús in a 3ÉOÍbe ë1?[ŸCçW¶ t)á)!!DFçW·ZøÃ)øG`€€à+R€€‚‚áD‰‚‚‚‚€‚ƒ‚ƒ‚‚‚ƒ‚ƒ‚‚‚‚ƒ‚‚‚‚ÿçW·Z‹qis “to Ûan 5hex #9Cçf. ly Cq5hex #åO'šd ŸCçE¶ sIëÃ1?�.�q#Ícomments blank §as ªd to ½C#çŠstandable by humans. �/is an of a ¡$;;�/ÓãCɵof a MT32 to 100;Comments  9a semicolon to Cend of C¤;;Blanks, Tabs New ß b;UPPER lower case  òowed in hex F0 41 10 16 12 10 00 16 64 76 F7;C/¤s Cspf0 4110161210 0 166476 f7'ø'!MEGçEZ9'&CX€€à+R€€‚‚‚‚€ƒƒ‚ƒƒ‚ƒƒ‚ƒƒ‚ƒƒ‚€‚€‚ÿçEZ‹qFs a ç­áto be transmitted on óV. �­áis as ,s:Bx 7B 00;all òBx 01 00;modulation Åto êBx 07 7F;volume to max (127)Bx ùn oùn40 00;sustain pedal  Ex 00 40;centre UÄ_lR)&)!Fÿÿç\e Z@Ô)@6>€€à+R€€‚‚‚‚‚‚‚‚€‚€‚‚ÿç\e Z‹qis “to {ç�1CKon éC¶. Ñódo U)çEYor ”.�¿7Çis “to ÓCÃ!çƒ1Cçadapter. At Upoint, ç�+,s a Gí(or compatible).çOsuccessfully zd ç�Uyois ¢embered in Cé", so çí+Oto {once. �yis ùHow to •a ÿprX|4<4*&€€à+Rá$€‰ƒ‚ÿxÀ#4#!mÿÿÿÿÿÿÿÿ$!Ì#!@R€€à+R€€‚‚‚‚€‚€‚‚‚‚‚€‚€‚‚‚‚ÿ$�#cÉis “to Ya •a w It }of Wgroups of Œ, áof Íis “to ‹Áaspects of CZ.ò���in Có7 “to ‹CßCcount-in at Cof CZ. �@s  “to turn Cß , on or on ߨents at Cof ámeasure. �of "s of initial delay is ùas Ccount in þ.�ßis +ÛÏ_or ˜.es�IÏis “to ÅC›G(MIDI {J) Ýon áçU Every ]a Gis Ýon a R, CÉis Ž.If çå£to ßÁIÏCis -\, çEéCG1çU cqCÿG, ‰Ý9C—T¤!)@R€€à+R€‚‚‚€‚€‚‚‚‚‚‚‚áJ‰áK‰‚ÿÑEùKCG1SÇCis  ^, %Gùis immediately Ü. Ã_is °arted \, C5IÓbe Ýð.kStatusAs C`, C�#ó�]is Çin CØ��9is Ças Cof "s per Ì. �9ËÍbe “to ëC9ÏCis ^.�@s  “to X, •!C �pause, rewind forward @s   eat U`ÇC`, C›à H ÛÓ-ö. ÑEwatch qas Caby ÷Òing Cq$„E†„ç·to Ð. ftimes Óbe skipped in CÛÇPs get >. ‹is in a ?Ïof a ¯on [?é·is.# )#!¯ÿÿÿÿÿÿÿÿ˜Œ½#Œ”ú€€à+R€€‚‚‚‚áO‰ƒƒ‚áP‰ƒƒ‚áQ‰ƒƒ‚áR‰ƒ‚áS‰ƒƒ‚áT‰ƒƒ‚áU‰ƒƒ‚áV‰ƒƒ‚áW‰ƒƒ‚áX‰ƒƒ‚áY‰ƒƒ‚áZ‰ƒƒ‚ÿ˜�™on C›áIÛis “to è, u­in a w It …C/v.Œ�CŸÕ.ÐÑa ÿ …CvxyCŸÕ.„GC�of Cë.RestAdd ±)�.Lia chord ߇1®2¦3¨4¤5ª6¬'Œ'!pÿÿP—�ZI"'I=L€€à+R€€‚‚‚‚‚‚á[‰á\‰‚‚€‚ÿ—�Z‹qis “to éCŸÕ.A ¿7Óbe ǃC�. Any Js EIbe ¹to C. Åa Kis ¸, it is  ated, if Cù£is illegal Ia ¡£is $tituted.�áC G!Ebe ãŸC , u ��åof C B 5ÓùíC½a Kin ]is Hdled._“or Double Click'I'!†OQ—ÑZ_‹'_9D€€à+R€€‚‚‚‚‚‚‚‚á[‰‚‚€‚ÿ—ÑZ‹qis “to ua ÿ …a v3Éof  ç·to t. çOÕan  ˆ, a Í¿7is Çto òow þy of C. ‹Í¿7Óbe filled in ßas much oas is je 9CŸÕ.There is no ªment to uin áin Cqas ç�Ó)C ³in Cq1éÿ.�áC G!Ebe ãŸC , t_Ins'_'!PR—yZÛP'Û5<€€à+R€€‚‚‚‚á/‰‚‚€‚ÿ—yZ‹qis “to ­CŸÕ 9CvÇis it  je to �an  A»¬d by Øident, çE�óof éJs to Cqby closing C›áor I×IÒing �² 9C»Ö_v'Û'!ÓQS—…Zà' n®€€à+R€€‚‚‚‚áH‰‚‚‚€ƒƒƒƒƒ‚ƒƒƒƒƒ‚ƒƒƒƒƒ‚€‚‚€ƒƒƒƒƒ‚ƒƒƒƒƒ‚ƒƒƒƒƒ‚€‚€‚€‚‚ÿ—…Z‹qis “to ëC�of C�, C]of ó$equent 31CÝof C�. “C³�in Zs, ¯on C�Ž, Íis Ç1æ. ��of CÓbe ãto '[less ?Cù_C]of ó/it in CqÓbe íto Cù`°3B64 3†65(3 40ÇÝq»Mon C+ åCÝto 1:000 (one "), Cµåbe:3B64"Ž<ŽŽ3†65*3 40_D€re  ù륕1ÿof Ccommon Ýv. ‰ :Œ ŒY„€€à+R€‚áU‰ƒƒ‚áV‰ƒƒ‚áW‰ƒƒ‚áX‰ƒƒ‚áY‰ƒƒ‚áZ‰ƒƒ‚ÿ1®2¦3¨4¤5ª6¬*Œ*!ÙRT—Rest Z¯*¯i¤€€à+R€€‚‚‚‚áH‰‚‚‚€ƒƒƒƒƒ‚ƒƒƒƒƒ‚ƒƒƒƒƒ‚€‚‚€ƒƒƒƒƒ‚ƒƒƒƒƒ‚ƒƒƒƒƒ‚€‚€‚ÿ—Rest Z‹qis “to ß]to C�]of C�.31C�of C°. “C³±�in Zs, ¯on C�Ž, Íis Ç1æ. �ÿùÓbe áto C]of C� ó$equent in Cv°3B64"3†65*3 40DZq»Mon C+ öing a £of 0:2, Cµåbe:3B64&3†65,3 40_R'¯'!³SU—MZŒ…'Œc˜€€à+R€€‚‚‚‚‚‚‚€ƒƒƒƒƒ‚ƒƒƒƒƒ‚ƒƒƒƒƒ‚€‚‚€ƒƒƒƒƒ‚ƒƒƒƒƒ‚ƒƒƒƒƒ‚€‚€‚ÿ—MZ‹qis “to ëC]of C� to be C½as C]of Cs thus creating a chord.If Uqis d on C+ in a uC]of C is ãto ê.°3B64&3†65,3 40DZq»Mon C+ Cµåbe:0:000 On3B643†651:057 On3 40_C-Œ-!ÉTV—Whole ZœÙ-œ9D€€à+R€€‚‚áR‰áH‰‚‚€‚ÿ—Whole Z‹qis a …½of a „ of 4 eC�Ž 1CŸÕ. Ê4/4 _Uå'Ñ._1,œ,!ÇUW—Half Z›Ù,›9D€€à+R€€‚‚áR‰áH‰‚‚€‚ÿ—Half Z‹qis a …½of a „ of ‡eC�Ž 1CŸÕ. Ê4/4 _Uå'G._2/›/!ËVX—Quarter ZœÛ/œ9D€€à+R€€‚‚áR‰áH‰‚‚€‚ÿ—Quarter Z‹qis a …½of a „ to C�Ž 1CŸÕ. Ê4/4 _Uå'ƒ._3,œ,!ÇWY—Eighth Z›Ø,›9D€€à+R€€‚‚áR‰áH‰‚‚€‚ÿ—Eighth Z‹qis a …½of a „ of GC�Ž 1CŸÕ. Ê4/4 _Uå'ï._41›1!ÞXZ—Sixteenth Z¡ä1­9D€€à+R€€‚‚áR‰áH‰‚‚€‚ÿ–—Ç—–——Sixteenth Z‹qis a …½of a „ of 'ƒof C�Ž 1CŸÕ. ‹is  to 'û._55 ­5!ÕYÿÿ—Thirty-second Z â5 9D€€à+R€€‚‚áR‰áH‰‚‚€‚ÿ—Thirty-second Z‹qis a …½of a „ of 'ïof C�Ž 1CŸÕ. ‹is  'S._6' '!mÿÿ\ -ZÁ'@R€€à+R€€‚‚‚‚€€‚‚€€‚‚€€‚ÿ -Z� -[is “to ¢d ç�to é·l. �/Js Ebe ¸.Base �C+G“by éçz. ‹+ìs C½G Çø. gcompanies 'as GÏEI91 Y128, Ï7ÁI90 Y127. uis 1.õC Octave �Cto áC. Again ÁÁO]to ‘Á ation, so ç�õçto [Íever is 11æ. ­Ï�C3 1áC, ÏG�C4. uis C5.Width �Cof "s AEbe fitted onto 'maximized IÙ A WÓïç"s on CÈ, ûáÓbe narrower. uis 16.AöA26€€à+R€‚€€‚‚€€‚ÿHeight �CSof a in CIÙ ‹is ÝCof pixels “to ÙC�on CÈ, óbe an odd  uis 5. A £of 5 is (ed 1a VGA È.¿Scale is an ÿ“to Ía ­by to ¹CSof C¥to Ä. A Çÿof 1 ÓGC­ a of CIÉto be ˜r ?it åbe ßa Çof 4. uis 4.%A%!±[] BŒŒ%Œ4:€€à+R€€‚‚áO‰‚‚‚‚‚‚‚ÿ B‹5�C�of a Kin an 's ]ÇC�– qis –If C5is  , a Kin C]of an  ÓGC to be êd to a ÿ³in CvIf C5is %ç�ês U to Cÿ_shifts ó/it in Cqas ¾. If Cÿ]ùis )C]of Cs in CuC]is considered to be †, no Kis ¸.ÍC5%‰very ây to ua ±…a uor Ka bit of manual €sing.'Œ'!\^ ¿vñŒ'ñ*&€€à+R€€‚‚‚‚‚ÿ ¿v‹5¸s ËC­of áis ñin CIØIf C5is %áÓGa ±¥to be Çîing a E¨ation of C¬. �longer C¤, CWC¬. ­reference purposes, a Y¥is Øn ¨ing CSof a ­of 64.)ñ)!]_ sßvÞ‹)ê,*€€à+R€€‚‚‚‚‚‚‚ÿ sßv‹5¸s Ëor  §§ Øn in CŸ¨ŸŸIScreen.If %§§ Øn Èver a ¥å go. ¯if CAQis  ǧ§ %õC åOa §¥Øn YŠs§ }to U±a Ais !C¦.)ê)!Ç^` Qvesžd)ž26€€à+R€€‚‚‚‚‚‚€€‚ÿ Qvesç�ÓÅWÁˆs of `s in CIÈ.Most piano ï�a "grand" `, Íjes a ƒbass `. Guitar î, "fakebooks" etc #+a ƒ`. gorchestral zs 'as a Viola ‘CA`, ÍMõC as �á¤.ÑEÓÍ`s çå£to Ñin CH È. Regardless of Ca\, áC is ý°d in Ccentre of CÈ. Æn Aais \, neither a Treble or Bass aEbe ñas Oå for how-to information.proc_opencloseÿ. proc_seltrk for more information.HELPID_TRACK_INFO+ command, or permanently using the Track HELPID_TRACK_CHGCHANNEL± command. Choose Change Channel from the Track menu, and complete the dialog. This will then change the channel number of all MIDI events in the track to the entered value.†win_track_listF- window. This window is opened using the HELPID_FILE_SAVEš command).š menu_fileCreate, Load or Save files. menu_edit+Copy, Move or Delete tracks in the song.] menu_track.#Perform changes on whole tracks. menu_midiControl MIDI devices. menu_songEdit Song Parameters& menu_windowControl the windows.Ämenu_optionsPCustomize MIDI Edit..proc_copying_trackW'How to copy the contents of a track.ÿproc_deleting_trackHow to delete a track.proc_moving_trackMoving a track in the song.proc_exiting Returning to Windows.proc_recordingRecording a track.proc_playingþHow to play the song. proc_seltrkHow to select a track.øproc_switchwin‰'How to switch between active windows.proc_opencloseƒStarting one of the windows.:proc_opencloseÜ!Destroying one of the windows.9proc_sel_eventò!How to select an event to edit.proc_toolbarÿUse of the Toolbar.win_track_listØ%Open or Close the Track List windowwin_piano_rollš%Open or Close the Piano Roll windowwin_play_ctrlsî)Open or Close the Play Controls windowÿH/&;)Lzcti#define ÿÿRŒRÿÿÿÿ Help Index¼Quick Start� Commands ProceduresÍ Windows KeysŠRegistrationÿFile MenurEdit Menu{Track MenuBMIDI Menu/Song MenuWindows Menu;"Options Menu$Copying a Track¿%Deleting a Track°&Moving a Track.(Exiting')Recording†+Playing{-Selecting a TrackÜ.Switching Windowsu1Opening and Closing Windowsä3Selecting an Eventè5Using the Toolbarå:File New CommandT<File Open Commandž=File Save Command?File Save As Command+@File Merge Command6BFile Import CommandEFile Exit CommandÏEEdit Undo CommandÖFEdit Cut CommandÝGEdit Copy CommandžHEdit Paste Command°IEdit Clear CommandJEdit Delete CommandYKTrack Change Channel Command/MTrack Filter Events CommandaNTrack Filter Channel Command¥OTrack Information Command©UTrack Merge CommandƒVTrack Quantise Command)ZTrack Split Commandk\Track Transpose Command—_Track Transform CommandtcMIDI Thru SwitchHdMIDI Pitch Wheel Switch+fMIDI Exclusive Switch›fMIDI Real Time SwitchØgMIDI Internal Clock SwitchiMIDI Clock SwitchÎjMIDI Capture Hex CommandØlMIDI Send Hex CommandùnMIDI Reset CommandFpMIDI Configure CommandZwSong Timebase CommandìySong Key Command÷{Track List WindowPiano Roll Window¤�Play Control Window„Play Controls OverviewnˆEvent MenuŠEvent Edit Command�‹Event Insert Command�Event Delete CommandŽEvent Duration Commandè�Event Rest CommandÁ’Event Chord Commandt”Event Whole Note Command=•Event Half Note Command–Event Quarter Note CommandÏ–Event Eighth Command–—Event Sixteenth Note Commandt˜Event Thirty-second Note CommandI™Options Preferences Command¶œOptions RelativegžOptions Velocity SwitchŸOptions Dashed Lines Switch’ Options Clef SwitchesY¢Options Sound Event–£MIDI File FormatkiʬkiX“kiz°kiûÂkiUõkiqîki:Îki^Kki�˜kiFki‘{kiÜ¢ki2:kië kiZÄkisáki�ßkiúökiX&kiñÄki—9kiáékiqÛkiÐdki¡kiíæki¢ki#kizükiÌ®kig8ki4BkiŒvkiÇ%ki«